Poem 125 – Before

A momentary pause
This quiet stillness
That waits, anticipating
The unborn day
A chance to gather up
My thoughts and being
Before the hands begin
To tick again

One of my favourite times of the day is the brief interlude between waking and work, when the house is mine and the clock has stopped. Once it starts, it doesn’t stop…
(09.05.22)

© Ben Quant 2022

Poem 124 – Hallowed Stands

The game’s afoot, it’s all still on
A thousand possibilities
That might transpire before this season’s
Last match is played and whistle blown

From hallowed stands the crowd embolden
Their vantage point affords them sight
Of opportunities and threats
Yes, passionately they roar us on

So keep your eyes upon the goal
Follow your humble captain, brave
Who leads the way in giving all
Know this, you’ll never walk alone

On Tuesday Liverpool FC rescued the chance of an historical quadruple, turning a 2-0 deficit to a 2-3 victory. Songs from the stands cheer us on.
(06.05.22)

© Ben Quant 2022

Poem 116 – Mistaken Identity

The bold headline nailed to the billboard shouts
The executioner’s next victim’s name
It reads, ‘Jesus, King of the Jews’, that’s who
Identified, betrayed through a guilty kiss

The leaders rant and rave, ‘This cannot be
Pilate, this is mistaken identity
This man is not our King he doesn’t speak
For us, rewrite your sign once more we plead!’

Mistaken identity, how could that be?
Recall the many things he’s said and done
The signs are there for all to see that this
Is no mere man. He’s the Chosen One

The blind can see, the lame can walk, and those
With leprosy are healed, and deaf ears opened
The dead are raised, the poor receive good news
…Tell me, what else might you expect to see?

Pilate’s response, ‘What I have written, I
Have written, and my sign will not be changed!’
But is this undermined by his cruel nails
That pin it there along with hands and feet?

The sky turns black as up above a final sigh
The one who hangs there drops lifeless and still
And with him hangs the question, were they right?
There surely is no way
That at our hand our God
Could die and find his end
Could we been mistaken?

I’ve been asked to write a poem reflecting on John 19:16-22 from the Bible for today’s Good Friday service. It struck me that in these few verses that like the religious leaders and Pilate we’re being asked the question, just who is this man.
(15.04.22)

© Ben Quant 2022

Poem 112 – The Award Goes To…

One cracks a joke
And in response
It gets slapped down

To rein us in
It used to be
Your eye for mine

But violence met
With more violence
Is twice the pain

A better way
Must surely be
To turn the cheek

This act of strength
Defies the bully
Without becoming one

Is violence the best response? An eye for an eye was only meant to stop us from escalating levels of revenge in the name of justice, but does it make things right? I’m not sure it does.
(29.03.22)

© Ben Quant 2022

Poem 110 – Adam’s Drums

That old drum beat begins to sound once more
A pounding that propels the soldiers feet
Forward despite their tightly tied blindfolds
Momentum that once built is slow to stop

Is this an echo of a former rhythm?
A conflict of two dominant worldviews
Or is it deeper, hidden, our hardwired
Propensity to tend to selfish interest?

Across Ukraine the battle blunders on
And protests rise against the perpetrators
But when I look inside I sadly see
Those same old seeds do germinate in me

Whilst some may cite our finite human nature
Others the doctrine of original sin
Which one of us has never wanted to
Snatch what we could or lash out in our fury

So whilst I pray for peace in Putin’s war
And angry ask for his just punishment
I also seek forgiveness for myself
A hope that’s hypocritical I’m sure

I caught Jeremy Bowen saying something about the drum beat of the cold war in the current conflict in Ukraine. Got me thinking about the different drums we respond to
(26.03.22)

© Ben Quant 2022

Poem 106 – Memory

Not all bridges are forged in sweat and steel
Nor do they all traverse the globe but some
Convey us by our dreams and thoughts
Down secret passages unique to us

A scent transports us back to musty classrooms
Or changing rooms, slick with rowdy teenage bodies
Forgotten fragrances summon unbidden the past
Awakening lost relationships with force

The taste of lamb and fresh mint sauce steals me
To Sunday lunches at my grandparents’
The sound of knives chopping the herb just picked
With acid tang of vinegar poured over

Opening the photo album I’m once again
Surrounded by the Austrian Alps of Mayrhofen
I see you smiling at me from the lake
And savour afresh our early wedded life

These bridges are not solid in construction
As their physical counterparts may be
But shift as tidal waves flow on the sand
Capricious and yet precious in their rarity

My earlier poem about Brunel’s suspension bridge originally had other bridges in view. The discounted concept reappeared today.
(16.03.22)

© Ben Quant 2022

Poem 97 – Incomprehension

Today the sky is blue, a robin chirps
Flitting, his red breast skips into my view
And all is calm. Except it’s not. Somewhere
The tanks rumble forward. Missiles fire. Red stains.
How can this be? How can our world encompass
This contradiction? Why should I enjoy the sun
When members of my family unmet
Know only fear, uncertainty and try
To conjure up the bravery required?
To pour out verse cannot compare with what
Is asked of them, but what else can
I offer? I have no gun. Only prayer.
And so I call upon another who
Was subjected to unfair violence.
I cannot comprehend, but maybe he
Whose blood was also shed might understand?

The tanks rumble into Kyiv whilst here the sun shines.
(26.02.22)

© Ben Quant 2022

Poem 84 – The Visitation of Black Shuck

Not sure if this is done yet, I imagine I will continue to tinker with it (if I make any substantial changes I will put it in a new post not just change it here), but I think the time has come to share this draft at least. If you’re interested in such things, I’ve tried to reflect Anglo-Saxon alliterative verse, although I also found myself rhyming the second and fourth lines of each stanza.

Those faithful fellowships did meet that fearful eve
In prayer and praise they sat upon familiar pews
In Blythburgh they began and Bungay parish too
Not knowing the nightmare now drawing near, their doom

With darkness deepening a fearsome storm developed
A ghastly gale bending tree branches gustily
And whipping window panes whilst whistling through the eaves
Before a crash crescendoed of thunder cracking crisply

And lo! Bright lightening flashed lashing the ancient porch
Burning its wooden beams, bursting apart its doors
Revealing standing stark a loathsome silhouette
Which set their feet like stone with savage steely roars

Its haunches high above the heads of those who turned
To see its savage claws come stepping through the gloom
As lifting lips revealed a line of sharpened swords
And bright red radiant eyes surveyed the harrowed room

What terrible tumult amongst the heavens tore
Alarms above were rung, angelic soundings warned
About the biting beast bounding along the nave
Growling against our God to whom good people prayed

The congregation cringed and cowered in its wake
As hastily the hound ran, howling in blind rage
Some swooning as if wounded, whilst swiftly it gave chase
Towards the holy table the target of its hate

Between the terror and the table of our Lord
With bread his broken body and wine the blood he poured
Two knelt in noble thought, kneeling in contemplation
Father and firstborn son in faith both highly favoured

But did the Devil’s dog respect their holy deeds?
Their obeyance of the Bible? The depth of their belief?
The alms they always offered? Their vigils at the altar?
No chance! Instead he nipped their necks with gnashing teeth

Such was his speed and deftness that as their severed heads
Fell from their lifeless shoulders to lay upon the floor
In prayer their posture stayed, poised for the life to come
Yet onward the cruel creature now crazed began to claw

Now, as the people trembled the tower began to shake
Foundations faltering as hopes began to fade
Its growing groans joining the grim beast’s hellish roar
And to the dog’s dismay, downward it now decayed

With bated breath they waited to find out if the beast
Still lived or had the collapse ended its wicked life
This anxious pause persisted until the people saw
There was no crouching creature to cause continued strife

With cautious hope they came out of their crevasses
Where desperately they’d dived expecting death therein
To find all saints and sinners, except the two, survived
So slowly the surprise eventually sank in

With arms aloft they sang alleluias for God’s mercy
Led by their priest perched not on pulpit but the floor
Until the wise church warden, with gnarled white fingers pointed
Towards scorched paw-print stains seared stark upon the door

Their laughter turned to longing for clarity about
The fate of that fierce hound, what had befallen it?
Had the collapse killed him or did his life continue?
Perhaps it now persisted prowling outside they posited

Clutching his golden cross
With prayer the priest with care
Led laity outside
To see what waited there…

(07.02.22)

© Ben Quant 2022

As a young boy I lived in Bungay, Suffolk. One of my teachers told me the story of the black dog of Bungay, which captured my imagination and started a fascination with folklore that has persisted. It is said that in 1577 an appearance of black shuck terrorised the people of Holy Trinity, Blythburgh, and St. Mary’s, Bungay, as described in ‘A Straunge and Terrible Wunder’ by Abraham Fleming. This poem is my re-imagining, a celebration of the story and Mr Talbot through whom I heard it.
https://en.wikipedia.org/wiki/Black_Shuck#Bungay_and_Blythburgh

Image: Public domain, Title page of the account of Abraham Fleming’s account of the appearance of the ghostly black dog “Black Shuck” at the church of Bungay, Suffolk in 1577

Coming Soon…

My poems may slow down a little bit going forward, at least for now. I’m in the process of rewriting my doctoral thesis, I’ve got a year to resubmit. This needs to be my main focus alongside work and family, but verse will provide a fun release and necessary diversion alongside it! I’m also playing around with a longer piece of poetry, in the form of medieval alliterative verse, based on the legend of the Black Dog of Bungay; a ghostly apparition famous for an appearance in the local church. Here’s the first stanza as it currently stands to whet the appetite…

Poem 83 – The Visitation of Black Shuck

Those faithful fellowships did meet that fearful eve
In prayer and praise they sat upon their usual pews
In Blythburgh they began and Bungay parish too
Not knowing the nightmare awaiting in the gloom

Abraham Fleming, Public domain, via Wikimedia Commons

Poem 80 – The Job

And did those feet in ancient time walk here?
Of course not! But I wonder if he came
What would he think about his legacy
Entrusted to the care of those he called?
Would it be recognisable to him
Whose name it bore? I hope so but I fear
That it might leave him flummoxed as to how
It came from what it was to what is now
But this should come as no surprise, as he
Has always lived outside, skirting around
The edge, living with those we overlook
Whilst we who he invited to come in
Our natural tendency is closing doors
To make ourselves feel safe and in contrast
Alas, to what we were before we met
And so, forgive us Father and moving
From Blake’s Jerusalem to Italy
Switching between establishment and heist
We pray, come blow those bloody doors away!

A counterpoint to Poem 79…

(28.01.22)

© Ben Quant 2022